Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Ali She Nawat
Prince Bahram-i-Gor,dressed in blue,listen to the tale of the Princess of the Blue Pavilion

ID: 34119

Ali She Nawat Prince Bahram-i-Gor,dressed in blue,listen to the tale of the Princess of the Blue Pavilion
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Ali She Nawat Prince Bahram-i-Gor,dressed in blue,listen to the tale of the Princess of the Blue Pavilion


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Ali She Nawat

1440-1501   Related Paintings of Ali She Nawat :. | Portrait of Thora Klinckowstrom (mk39) | Coronation of the Virgin and Saints dfhh | Jatten Tjatse,forkadd to orn,fangar Loke | Im Opernhaus | Primavera |
Related Artists:
Henry Walton
British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family
Zayn AL Din
1770-1790
Ludovic Piette
French Painter, 1826-1878.French painter. He studied at the Ecole des Beaux-Arts in Paris during the 1850s under Isidore Pils and Thomas Couture. He attended classes at the Acad?mie Suisse and made his Salon d?but in 1857 with The Scorpion Broom (ex-Mus. B.-A., Rouen). His early works were often based on literary sources and include The Phantoms (exh. Salon 1859) and The Witches Appearing to Macbeth (exh. Salon 1861). Piette only exhibited at the Salon on two further occasions (1872 and 1876), preferring instead to sell his work at auction in the H?tel Drouot. In the early 1860s he abandoned literary subjects in favour of working directly from nature, a shift that probably relates to his developing friendship with Camille Pissarro. This association is first documented by Pissarros portrait of Piette in his Studio (1861; Dr and Mrs Jordan H. Trafimow priv. col.) and an important correspondence between the two artists from 1863 to 1877 survives. Piette portrayed Pissarro painting out of doors (c. 1870; priv. col., see Pissarro, exh. cat., ACGB, 1980, no. 322).






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